Tuesday, 29 December 2015

Rajesh Khanna actor,producer and an Indian politician ----------------------------------- Sanjog Walter

**** जन्मदिवस 29 दिसंबर के अवसर पर पर एक स्मरण ****
 





Sanjog Walter
Rajesh Khanna born Jatin Khanna ( 29 December 1942-18-07-2012) is an actor of Hindi films, and has been Hindi film producer and an Indian politician.He appeared in 163 films of which 106 had him as the solo lead hero and 22 were two hero projects.He won three Filmfare Best Actor Awards and was nominated for the same fourteen times. He received the maximum BFJA Awards for Best Actor (Hindi) four times and nominated 25 times. He was awarded the Filmfare Lifetime Achievement Award in 2005. Khanna is referred to as the "First Superstar" of Hindi cinema. He made his debut in 1966 with Aakhri Khat and rose to prominence with his performances in films like Raaz, Baharon Ke Sapne, Ittefaq and Aradhana.Khanna was born in Amritsar on 29 December 1942. He was adopted and raised by foster parents who were relatives of his biological parents. Khanna lived in Thakurdwar near Girgaon. Khanna attended St. Sebastian’s Goan High School in Girgaum, along with his friend Ravi Kapoor, who later took the stage name Jeetendra. Their mothers were friends.Khanna gradually started taking interest in theatre and did a lot of stage and theater plays in his school and college days and won many prizes in the inter college drama competitions.Khanna became a rare newcomer who struggled in his own MG sports car to get work in theatre and films in the early sixties.Both friends later studied in Kishinchand Chellaram College(KC).When Jeetendra went for his first film audition, it was Khanna who tutored him. Khanna's uncle changed Khanna's first name to Rajesh when Khanna decided to join films. His friends and his wife call him Kaka.In the late 1960s and early 1970s, Khanna fell in love with the then fashion designer and actress Anju Mahendru.They were in the relationship for seven years. Mahendru states that the couple did not speak to each other for 17 years after the breakup.Later Khanna married Dimple Kapadia in March 1973, six months before Dimple's debut film Bobby released and has two daughters from the marriage. Khanna and Dimple Kapadia separated in 1984 as his schedule kept him away much of the time and Dimple became interested in pursuing an acting career, and thereafter lived separately, but did not complete the divorce proceedings. In the eighties Tina Munim was romantically involved with Khanna till the time she decided to leave the industry to pursue her higher studies.Years of separation brought about mutual understanding between Rajesh Khanna and Dimple Kapadia. Reporter Dinesh Raheja stated that “the bitterness between Rajesh and Dimple washed away", noting that they are seen together at parties and that Dimple campaigned for Khanna's election and also worked in his film Jai Shiv Shankar. Their elder daughter Twinkle Khanna, an interior decorator and a former film actress, is married to actor Akshay Kumar while their younger daughter Rinke Khanna, also a former Hindi film actress, is married to a London-based investment banker Samir Saran.Rajesh Khanna was one of eight finalists in the 1965 All India Talent Contest organised by United Producers and Filmfare from more than ten thousand contestants. Subsequently Khanna won the contest.He made his film debut in the 1966 film Aakhri Khat directed by Chetan Anand, followed by Raaz directed by Ravindra Dave both of which were a part of his predetermined prize for winning the All-India United Producers’ Talent Competition G.P. Sippy and Nasir Hussain were the first to sign Rajesh Khanna after he won the contest. Khanna in an interview to Hindu newspaper said,"Though “Aakhri Khat” is my first film, I received my first break as a leading actor in Ravindra Dave's, “Raaz” in 1967. My heroine was Babita, already a popular actress then.Though I had lots of confidence, I was shy in facing the camera initially. In my first three shots, I had to perform with stress on my body language and dialogue delivery.Though I was right with my dialogues, my movements were not up to the mark. Ravindra Dave explained me my scenes and movements very clearly correcting my way of walking". Being under contract with United Producers, he got projects like Aurat, Doli and Ittefaq. He was then noticed for his performances in films like Baharon Ke Sapne, Aurat (1967), Doli, Aradhana and Ittefaq. Later Waheeda Rehman suggested Asit Sen to take Khanna for the lead role in Khamoshi. Through Aradhana he rose to "instant national fame" and film critics referred to him as the first superstar of India. In that film, Rajesh Khanna was cast in a double role (father and son) opposite Sharmila Tagore and Farida Jalal. The film also saw the resurgence of Kishore Kumar, who eventually became the official playback voice of Rajesh Khanna. The Kishore Kumar-Rajesh Khanna combination worked miracles and it was almost impossible to see them as separate identities. They became a singer-actor duo and together they gave many songs till 1991. Then in year 1971, Haathi Mere Saathi became the biggest hit and also became the biggest grosser ever till then. Khanna is also credited with giving Salim Khan and Javed Akhtar their first chance to become screenplay writers by offering them work in Haathi Mere Saathi.Javed Akhthar accepted in an interview "One day, he went to Salimsaab and said that Mr. Devar had given him a huge signing amount with which he could complete the payment for his bungalow Aashirwad. But the film's script was far from being satisfactory. He told us that if we could set right the script, he would make sure we got both money and credit." Rajesh acted alongside Mumtaz in eight successful films.They were neighbours and got along very well, and as a result they shared a great on-screen chemistry. After Khanna married, Mumtaz decided to marry millionaire Mayur Madhwani in 1974. At the time, she was doing three films Aap ki Kasam, Roti and Prem Kahani with Khanna. She decided to quit movies only after completing these films. When she left films Khanna felt very lost. In one of her interviews, Mumtaz was quoted saying "I would pull his leg and tease him about his fan following. Whenever Rajesh entered a hotel in Madras, there was a queue of 600 girls waiting to see him at midnight. As a result, even I would get some importance, as people would ask for my autograph as well. He was very generous with his associates, and would party a lot."During the peak of his career he would be mobbed during public appearances. Fans kissed his car, which would be covered with lipstick marks, and lined the road, cheering and chanting his name. Female fans sent him letters written in their blood. There used to be a line of cars of his producers and hysterical fans outside his bungalow every day. Actor Mehmood parodied him in Bombay to Goa where the driver and conductor of the bus were called 'Rajesh' and 'Khanna'. Even today, he remains the favourite of mimicry artists, who copy his trademark style and dialogue delivery. During the filming of Amar Prem there was a scene that needed to be filmed at Howrah Bridge with a boat carrying Khanna with Sharmila moving under the bridge. The authorities ruled this scene out as they realized that if the public found out that the hero of the film would be there, it may create problems on the bridge itself, and that it might collapse due to the amount of people trying to get a glimpse of their favourite actor.Film critic Monojit Lahiri remembers “Girls married themselves to photographs of Rajesh Khanna, cutting their fingers and applying the blood as sindoor. Rajesh was God, there has never been such hysteria.”Several songs sung by Kishore Kumar in the 1970s were based on Rajesh Khanna. During the filming of the song 'Mere Sapnon Ki Rani' in Aradhana, Sharmila Tagore was shooting for a Satyajit Ray film and director Shakti Samanta had to shoot their scenes separately and then join the scenes together.The BBC made a film on him, titled Bombay Superstar, in 1974, the shooting for which began the same time when he got married and his film Daag premiered.In the video it can be noticed that Khanna was shooting for Aap Ki Kasam. A textbook prescribed by the Bombay University contained an essay, 'The Charisma of Rajesh Khanna!'.Sharmila Tagore said in interview to Indian Express, “Women came out in droves to see Kaka (Khanna). They would stand in queues outside the studios to catch a glimpse, they would marry his photographs, they would pull at his clothes. Delhi girls were crazier for him than Mumbai girls. He needed police protection when he was in public. I have never seen anything like this before and since.”Music remained one of the biggest attractions of all Rajesh Khanna films throughout his career. Many of the musical scores for Khanna's films were composed by Sachin Dev Burman, R.D. Burman and Laxmikant-Pyarelal. The trio of Rajesh Khanna, Kishore Kumar and R.D. Burman went on to make a number of popular films, including Kati Patang, Amar Prem, Shehzada, Apna Desh, Mere Jeevan Saathi, Aap Ki Kasam, Ajnabee, Namak Haraam, Maha Chor, Karm, Phir Wohi Raat, Aanchal, Kudrat, Ashanti, Agar Tum Na Hote, Awaaz, Hum Dono and Alag Alag.Rajesh Khanna had 15 consecutive solo superhits between 1969 to 1972, which is still an unbroken record in Indian film history. The commercial success of his films declined during 1976–78.In calculation of the 15 films, 2 hero films like Maryada,Andaz and films with box office result as hits were excluded -Mere Jeevan Saathi, Choti Bahu and Shehzada.Khanna considered Guru Dutt, Meena Kumari and Geeta Bali as his idols.Khanna dislosed in an interview," My inspirations include, Dilip Kumar's dedication and intensity, Raj Kapoor's spontaneity, Dev Anand's style and Shammi Kapoor's rhythm.Between 1976 and 1978, Khanna acted in 4 box office hits and in nine films that were not commercially successful. Seven of the unsuccessful films were critically acclaimed and have achieved strong cult status over the years among the viewers and these films included Mehbooba,Bundal Baaz, Tyaag, Palkon Ki Chhaon Mein, Naukri, Chakravyuha and Janata Havaldar which were directed by Shakti Samanta, Shammi Kapoor, Din Dayal Sharma, Meeraj, Hrishikesh Mukherjee, Basu Chatterjee and Mehmood Ali, respectively. Khanna persuaded Samanta to cast his sister-in-law Simple Kapadia opposite him in Anurodh Films starring Rajesh Khanna and directed by Shakti Samanta tended to be commercially successful, but Mehbooba was an exception.The change from romantic and social movies to action oriented multi-starrers caused the decline of Khanna's career in terms of box office ratings to some extent. The declaration of emergency in India had angered the masses and this helped films having the lead character revolting against corruption becoming successes. Actor Joy Mukherjee made Chhailla Babu, a suspense thriller in 1977, which became the only successful film of his as a director and the unexpected success of the Chhailla Babu gave a boost to the career of Khanna.However, Khanna continued basically in solo hero social sober household meaningful films during this era and played a variety of characters in films of various genres. During this phase too he had box office hits like Maha Chor,] Chhailla Babu, Anurodh and Karm.After 1978, Khanna starred in critically acclaimed commercially successful films such as Amardeep, Phir Wohi Raat, Bandish,Thodisi Bewafaii, Dard, Kudrat, Dhanwan, Avtaar, Agar Tum Na Hote, Souten, Jaanwar, Asha Jyoti, Awaaz Naya Kadam,Hum Dono, Babu, Aaj Ka M.L.A. Ram Avtar,Shatru,Insaaf Main Karoonga, Anokha Rishta, Nazrana, Angaarey, Adhikar (1986) and Amrit(from 1979–1991). Director Bharathiraja decided to remake his 1978 Tamil box office hit film "Sigappu Rojakkal" in Hindi with Khanna playing the role of a psychopath.Kamal Haasan who played the same role in Tamil won South Filmfare Best Actor Award for his portrayal.But the Hindi movie was seen as controversial by traditional and orthodox Hindi moviegoers and was not a commercial success, although Khanna's performance has been rated later higher by critics than the original.Tina Munim and Rajesh Khanna became the leading on and off screen couple of the 80’s with hits like Fiffty Fiffty, Suraag, Souten, Aakhir Kyun, Bewafai, Insaaf Main Karoonga and Adhikar(1986). Ram Awatar Agnihotri wrote that Tina Munim showed the first sparks of the dedicated actress she would become in the films "Alag Alag" and "Adhikar", both with Khanna.He also acted in the Marathi hit film "Sundara Satarkar" in 1981.He has performed in the least number of multi-starrer films in comparison to his contemporaries and portrayed the central character in the few multistarrers he acted. Khanna delivered multi-starrer superhits like Rajput, Dharam Aur Kanoon, Zamana, Dil-E-Nadan, Ashanti, Awam (film) and Ghar Ka Chiraag. He did three potboiler movies with Jeetendra, which were blockbusters-Dharam Kanta,Nishaan and Maqsad.In the year 1984, his film Maqsad became the 2nd highest box office superhit film earning 8.5 crores.Aaj Ka M.L.A. Ram Avtar is one of the memorable political films of Rajesh Khanna. Khanna played the character of a corrupt politician in this film. Viewers praised his role in the film. The year 1985 saw him turn a producer with Alag Alag. Eleven films, with Khanna in the lead, released in 1985 and seven of these became hits and in addition had two films with him in special appearance. Before joining politics one of his last films as the lead hero was Swarg released in 1990. David Dhawan regards Swarg as his most favorite directorial venture and said in an interview " Swarg did well. Though a serious film, people even today talk about it as it struck a chord. I was working with Rajesh Khanna for the first time. I shared a good rapport with him. He never threw tantrums on the sets."He experimented with films of different genres like tragedy in Babu as a rickshaw puller, thriller in Redrose as a psycopath, political adventure in Awam, negative roles in Dhanwan and Redrose, fantasy in Bundalbaaz and Jaanwar, crime in Phir Wohi Raat and Angarey, suspense in Chakravyuha and Iteefaq, comedy in Hum Dono and Masterji, action in Ashanti, family dramas like Aanchal and Amrit and Agar Tum Na Hote, variety of social films like Avtaar, Naya Kadam, Akhir Kyun and with different themes like reincarnation theme in Kudrat, patriotism in Prem Kahani, immature young love theme handled in different ways in films like Anokha Rishta, Nazrana and Dil E Nadan and did college romance in Bandish. He has played variety of characters as the lead hero – as a postman in Palkon Ki Chaon Mein, as a lawyer who proves that his senior has committed a rape 25 years earlier in Kudrat, as a politician in Aaj Ka MLA Ram Avtaar, as a young musician forced by fate to marry two women in Asha Jyoti, as professional advocate in Awaaz, fisherman in Prem Bandhan, a revolutionary patriot who is torn apart by love and policeman like in Prem Kahanai, as a righteous farmer in Bandhan etc.He shared a close relationship with R.D. Burman and Kishore Kumar. The trio were friends and have worked together in thirty two films. Work of Pancham with Khanna is regarded as legendary and far superior than any other actor-music director combinations The king of playback singing Kishore Kumar had even credited Rajesh Khanna for his resurgence, so much so that he sang for Alag Alag, the first film produced by Rajesh Khanna without charging anything.In 1985 Pancham found himself being sidelined after failure of few films but Rajesh Khanna was among the few who continued to stand by him.Rajesh and Pancham worked together even after the death of Kishore in the films Jai Shiv Shankar, the unreleased film Police Ke Peechhe Police (both produced by Khanna ) and Sautela Bhai. Khanna even helped Leena Gangully and Amit Kumar in completing Mamta Ki Chhaon Mein, the last film directed by Kishore who died before the completion of the film.Pyarelal quoted in an interview that “Rajesh Khanna was lucky for us and we were lucky for him too. From the 1969 Do Raaste to the 1986 Amrit, we gave hits together both as films and as music scores.... When we went on our first overseas concert tour in 1984, he came and danced to three songs. He was very particular about his music and would take a tape home if he could not assess a song. He would then give his feedback after a day or two. But if he liked a song at the sitting, he would loudly shout “Wah! Wah!” in appreciation…. It was God’s blessing that we came up with such a vast range of hit songs for him, including in his home productions Roti and films like Chhailla Babu, Chakravyuha, Fiffty Fiffty, Amar Deep and Bewafai. Incidentally, he had a stake in Mehboob Ki Mehndi too. He had great interest in music and a terrific sense of melody too. His music is dominated by Pancham (R.D. Burman) and us and we accepted Shakti Samanta’s Anurodh only because Rajesh Khanna had some misunderstanding with Pancham then and did not want to work with him."Khanna would always request music directors to fit in Kishore Kumar wherever possible. In fact, Kishoreda was very reluctant to sing "Waada Tera Waada" in Dushman and suggested Laxmikant Pyarelal to get it sung by Rafi. Then Laxmikant made Kishoreda meet Rajesh Khanna and Khanna winked at Laxmikant and told Kishoreda that in that case the song should be scrapped. On hearing this Kishore immediately agreed to sing it by himself for Khanna.Actors who were part of the cast of most of his films include Ashok Kumar, Sujit Kumar, Prem Chopra, Madan Puri, Asrani, Bindu, Vijay Arora, Roopesh Kumar, Dina Pathak and A. K. Hangal, who remained part of his " working team" since the start until the late eighties. The lyricist whom he preferred for his movies was Anand Bakshi. Films by Shakti Samanta with Khanna in the lead, music by Pancham and lyrics by Anand Bakshi had people swooning over. The films Samanta directed without Khanna in the eighties were duds.His other close friends from the film industry include Raj Babbar, J. Om Prakash and Jeetendra.Celebrities of the post-2000 era, like Madhur Bhandarkar, say that they take at least three or four turns in Carter Road even today only to see Khanna.The younger generation stars like Imran Khan still regard Rajesh Khanna as someone who would take the top slot as the most romantic hero of all time. Shahrukh Khan idolises Rajesh Khanna and has opined,"Rajesh Khanna you can’t touch".Actor Tom Alter confessed “I still dream of being Rajesh Khanna. For me, in the early1970s, he was the only hero – romantic to the core, not larger than life, so Indian and real – he was my hero; the reason I came into films and he still is.” Actor Irrfan Khan accepted in an interview, "The kind of craze witnessed by Rajesh Khanna has not been duplicated by anyone. He was the biggest and the most real star Bollywood has produced. I'd say stardom is that feeling of being possessed by your idol; you are so overwhelmed with euphoria you lose touch with reality."Rajesh Khanna was the last superstar to set fashion trends.The trend of wearing guru kurtas and belt on shirts became famous in seventies and eighties because of Khanna.From the early nineties onwards he stopped acting and served as M.P. of New Delhi Constituency from 1991 to 1996. During that period, he returned to acting, playing the lead in Khudai(1994), which was about a father and son both falling in love for the same woman. He made a comeback as a NRI in Aa Ab Laut Chalen(1999), and Kyaa Dil Ne Kahaa(2002). In September 2007, he officially announced his planned return to the big screen, signing a contract for several new films, including some television serials.He is a life member of the International Film And Television Research Centre, the International Film And Television Club and the Asian Academy of Film & Television. He is the Guest Faculty of 'Specialized Cinema Courses At Asian School Of Media Studies'. On 10 April 1999 Khanna inaugurated the live concert of S.P. Balasubramanyam held at Lal Bahadur Shastri Stadium, Hyderabad as a tribute to Pancham.[90] In 2001 and 2002, Rajesh played the lead in two television serials: Aapne Parai (B4U & DD Metro) and Ittefaq (Zee TV). He performed in a video album based on Tagore's songs (Rabindra Sangeet) without payment. He also endorsed Star se Superstar tak – a talent hunt programme in 2007 and donated a Gold Trophy of Rs.1 crore. In its Silver Jubilee Episode on 14–15 March 2008, K for Kishore aired a Rajesh Khanna special. He signed on to star in a TV serial with Creative Eye Banner (Dhiraj Kumar) in 2007, and in 2008 performed in a TV serial, Bhabhima, with Leena Ganguly as his co-star. His successful TV serial Raghukul Reet Sada Chali Aayi began in November 2008 and ended in September 2009.Khanna cited the lack of good roles for actors like him in the films as the reason for him not appearing much in films after 2001. He said in an interview on being queried about his decision to do TV serials, "The reach of TV is much more than cinema today and one episode of my serial is likely to be watched by more people than a super-hit film".[95] In 2009, on his 67th birthday, Shemaroo Entertainment released his films and a song collection titled Screen Legends-Rajesh Khanna-the Original Superstar. In May 2012, Havells, the fan making company endorsed Khanna as Brand Ambassador for their new ad campaign featuring him in solo advertisements.Rajesh Khanna was a member of Parliament for the Congress Party, from the New Delhi constituency, where he won the 1992 by-election, retaining his seat until the 1996 election. When Khanna was M.P he he worked full time as a politician and did not accept new acting assignements.He has since been a political activist for the Congress Party and campaigned for Congress in Punjab for 2012 elections.Khanna and a group of foreign investors have bought land in Shirdi on which they plan to build a religious resort for disciples of Sai Baba of Shirdi.In June, 2012, it was reported that Rajesh Khanna's health had been deterorating for some time On 23 June 2012 he was admitted to Lilavati Hospital due to some health complications but is reported by family to be better now.


Thursday, 24 December 2015

भारतीय फिल्म संगीत की वह अज़ीम शख्सियत : मोहम्मद रफ़ी ------ ध्रुव गुप्त

** यौमे पैदाईश (24 दिसंबर) पर ******************


ज़िंदगी की उदास राहों में तेरी यादों के साथ चलते हैं ! :

मरहूम मोहम्मद रफ़ी भारतीय फिल्म संगीत की वह अज़ीम शख्सियत थे जिनकी आवाज़ की शोख़ियों, गहराईयों, उमंग और दर्द के साथ देश की कई पीढियां जवान और बूढ़ी हुईं ! उनकी दिलफ़रेब आवाज़ और जज़्बों की रूहानी अदायगी ने हमारी मुहब्बत को लफ्ज़ बख्शे, सपनों को पंख दिए, शरारतों को अंदाज़ और व्यथा को बिस्तर अता की। आवाज़ की विविधता ऐसी कि प्रेम की असीमता से वैराग्य तक, अध्यात्म की ऊंचाईयों से मासूम चुलबुलापन तक, ग़ालिब की ग़ज़ल से कबीर के पद तक, लोकगीत से लेकर कव्वाली तक - सब एक ही गले में समाहित हो जाय। अमृतसर के पास कोटला सुल्तान सिंह में बड़े भाई की नाई की दुकान से लेकर भारतीय उपमहाद्वीप की सबसे लोकप्रिय आवाज़ तक का उनका सफ़र किसी परीकथा जैसा लगता है। 1944 में पंजाबी फिल्म 'गुल बलोच' के गीत 'सोनिये नी, हीरीये नी' से छोटी सी शुरूआत करने वाले रफ़ी की आवाज़ को संगीतकार नौशाद और शंकर जयकिशन ने निखारा और बुलंदी दी। हिंदी, मराठी, तेलगू, असमिया। पंजाबी और भोजपुरी भाषाओं में छब्बीस हजार से ज्यादा गीतों को अपनी आवाज़ देने वाले इस सर्वकालीन महानतम गायक और सदा हंसते चेहरे वाली बेहद प्यारी शख्सियत मोहम्मद रफ़ी को उनके यौमे पैदाईश (24 दिसंबर) पर खिराज़-ए-अक़ीदत, उन्हीं के गाए एक गीत की पंक्तियों के साथ !

लोग मेरे ख़्वाबों को चुराके
डालेंगे अफ़सानों में
मेरे दिल की आग बंटेगी
दुनिया के परवानों में
वक़्त मेरे गीतों का खज़ाना ढूंढेगा

दिल का सूना साज़
तराना ढूंढेगा
तीर-ए-निगाहें-नाज़
निशाना ढूंढेगा
मुझको मेरे बाद ज़माना ढूंढेगा !
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Monday, 14 December 2015

छोटी सी ज़िंदगानी : राज कपूर

जन्मदिवस 14 दिसंबर के अवसर पर  : 

पुण्यतिथि (14 दिसम्बर) मानवीय संवेदना के गीतकार शैलेन्द्र को अश्रुपूर्ण नमन ------ कुलदीप कुमार 'निष्पक्ष '







हैं सबसे मधुर वो गीत जिन्हें, हम दर्द के सुर में गाते हैं,
जब हद से गुज़र जाती है ख़ुशी, आँसू भी छलकते आते हैं.......! 

 पुण्यतिथि (14 दिसम्बर) पर श्वेत-श्याम पटल पर जीवन की रंगीन सच्चाई को उकेरने वाले मानवीय संवेदना के गीतकार शैलेन्द्र को अश्रुपूर्ण नमन्।

अपने गीतों में मानवीयता, समर्पण, प्रेम, विरह और भावनात्मकता को प्रमुखता देने वाले गीतकार शैलेन्द्र जी का कैरियर रेलवे इंजीनियर से शुरू हुआ था। उसी दौर में वह शासन विरोधी लेखों के कारण कई बार प्रताड़ित भी किये जा चुके थे। इसके बाद अगस्त आंदोलन में उन्हें जेल भी जाना पड़ा और उनके लेखनी की दिशा बदल गयी। इसके बाद उन्होंने अपने कविता में मजदूरों के हक़, प्रजातंत्र की असफलता, शासन की दमनपूर्ण एवं गलत नीतियों और भूख के विरुद्ध वर्ग संघर्ष की लड़ाई को प्रमुखता देने लगे। 'न्यौता और चुनौती' नामक उनके कविता संग्रह उनकी लेखनी के सशक्त उदाहरण हैं। उनके कविता 'जलता है पंजाब' 1947 की तत्कालीन राजनीति पर लिखी गयी है उसको पढ़कर राजकपूर साहब ने अपने फिल्मों के लिए लिखने को कहा। लेकिन शैलेन्द्र साहब ने मना कर दिया। लेकिन बेरोजगारी के कारण उन्हें सिनेमा की तरफ जाना पड़ा और उन्हें राजकपूर साहब ने अपनी फ़िल्म 'बरसात' के लिये लिखने का मौका दिया। इसके बाद शुरू हुआ सफर ऐसा सफर रहा जिसके बिना हिंदी फ़िल्मी गीतों का इतिहास अधूरा रह जाये। शैलेन्द्र, मुकेश, शंकर-जयकिशन, और राजकपूर की जोड़ी ने हिंदी सिनेमा को अतुलनीय गाने दिए।

आवारा हूँ, तू प्यार का सागर है, मेरा जूता है जापानी, दिल का हाल सुने दिलवाला, होठों पर सच्चाई रहती है, पूछों ना कैसे रैन बिताई, कोई लौटा दे मेरे बीते हुए दिन, रुला के गया सपना मेरा, रमैय्या वस्तावैया, सजनवा बैरी भये हमार, मुड़-मुड़ के न देख मुड़-मुड़ के, प्यार हुआ इकरार हुआ, सूर ना सजे क्या गाउँ, ये रात भींगी भींगी, अबकी बरस भेज भईया को बाबुल, भैया मेरे राखी के बंधन को, नन्हे मुन्ने बच्चे तेरी मुट्ठी में, दिन ढल जाए, बरसात में हम तुमसे मिले सजन,ओ बसंती पवन जैसे गानों ने अपने समय में सभी को अपने रस से रसज्ञ किया।

मासूम दिल के शैलेन्द्र साहब ने अपनी जीवन की सारी पूँजी अपने निर्देशित फ़िल्म 'तीसरी कसम' में लगा दी थी।फ़िल्म बहुत अच्छी बनी थी। फ़िल्म को आज भी हिंदी सिनेमा के क्लासिकल फिल्मों में सबसे ऊपर रखा जाता है। लेकिन फ़िल्म बॉक्सऑफिस पर असफल हो गयी। शैलेन्द्र जी गहरे आर्थिक संकटों मे फंस गए, उनके फ़िल्म में काम करने वाले उनके करीबी लोगों ने भी अपने फीस में कुछ कमी नहीं की और ना ही किसी प्रकार से उनके सहायता के लिए आगे आये थें। और नाज़ुक मिज़ाज़ गीतकार जीवन की इस सच्चाई से टूट गया, बिखर गया और और संकटों के भँवर में उलझकर जीवन से हार गया।
नमन् मेरे प्रिय गीतकार को _/\_.

असली नकली चेहरे देखे
दिल पे सौ सौ पहरे देखे
मेरे दुखते दिल से पूछो
क्या क्या ख्वाब सुनहरे देखे
टूटा जिस तारे पे नज़र थी हमारी
सच है दुनियावालों कि हम हैं अनाड़ी....!



Friday, 11 December 2015

पुण्य तिथि पर कवि प्रदीप का स्मरण


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आज पुरानी राहों से कोई मुझे आवाज़ तो दे ! ------ ध्रुव गुप्त




जन्मदिन / दिलीप कुमार (11 दिसंबर)
आज पुरानी राहों से कोई मुझे आवाज़ तो दे !:
भारतीय सिनेमा के महानतम अभिनेता, हिंदी सिनेमा के पहले महानायक दिलीप कुमार उर्फ़ युसूफ खान का उदय भारतीय सिनेमा की शायद सबसे बड़ी घटना थी। बगैर शारीरिक हावभाव के चेहरे और आंखों से भी अभिनय किया जा सकता है, यह साबित करने वाले देश के वे पहले अभिनेता थे। अपनी छह दशक लम्बी अभिनय-यात्रा में उन्होंने अभिनय की जिन ऊचाइयों और गहराईयों को छुआ, वह अद्भुत, असाधारण और अकल्पनीय था। सत्यजीत राय ने उन्हें ' The Ultimate Method Actor ' की संज्ञा दी थी। भारतीय उपमहाद्वीप में उनकी लोकप्रियता का आलम यह है कि पाकिस्तान सरकार ने वहां उनके पैतृक घर को राष्ट्रीय धरोहर घोषित किया हुआ है। फिल्मों में प्रेम की व्यथा की जीवंत अभिव्यक्ति के कारण उन्हें ' ट्रैजेडी किंग ' कहा गया, लेकिन 'कोहिनूर' 'आज़ाद' और 'राम और श्याम' जैसी फिल्मों में उन्होंने साबित किया कि हास्य भूमिकाओं में भी उनका कोई सानी नहीं है। 1941 में 'ज्वारभाटा' से अपनी फिल्मी पारी शुरू करने वाले दिलीप साहब ने साठ से ज्यादा फिल्मों में अभिनय के नए-नए प्रतिमान गढ़े। उनकी कुछ यादगार फ़िल्में हैं - मिलन, जुगनू, शहीद, नदिया के पार, हलचल, मेला, अंदाज़, दाग, बाबुल, दीदार, आरज़ू, संगदिल, आन, कोहिनूर, आज़ाद, शिक़स्त, मुसाफिर, फुटपाथ, अमर, उड़न खटोला, देवदास, नया दौर, यहूदी, मधुमती, पैग़ाम, मुग़ल-ए-आज़म, गंगा जमना, आदमी, लीडर, दिल दिया दर्द लिया, राम और श्याम, संघर्ष, सगीना महतो, गोपी, मजदूर, सौदागर, मशाल, धर्म अधिकारी, शक्ति, क्रांति और कर्मा। मधुबाला के साथ उनका असफल प्रेम उस दौर की सबसे चर्चित प्रेम कहानियों में एक रही है। हाल में उनकी आत्मकथा ' The Substance And The Shadow' प्रकाशित और चर्चित हुई है जिसमें उन्होंने अपने जीवन के कई अनखुले पहलुओं पर रोशनी डाली है । सिनेमा में अप्रतिम योगदान के लिए उन्हें सिनेमा के सर्वोच्च सम्मान 'दादासाहब फाल्के अवार्ड' से नवाज़ा गया।
दिलीप कुमार के जन्मदिन पर उनके लंबे और स्वस्थ जीवन की हार्दिक शुभकामनाएं !

https://www.facebook.com/photo.php?fbid=774604419282825&set=a.379477305462207.89966.100001998223696&type=1&theater
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दिलीप साहब का जन्मदिन मुबारक हो। हम उनके सुंदर,स्वस्थ,सुखद,समृद्ध उज्ज्वल भविष्य एवं दीर्घायुष्य की मंगल कामना करते हैं।


आज दिलीप साहब के जन्मदिन पर उनसे मुलाक़ात की बात ::

 1981 में मैं पाँच माह के डेपुटेशन पर अन्य लोगों के साथ होटल मुगल शेरेटन,आगरा से होटल हाई लैण्ड्स,कारगिल भेजा गया था। किन्तु एक साथी के साथ मैं जूलाई में बीच में ही वापिस लौट आया था। 
उस समय होटल मुगल में 'विधाता' की शूटिंग सुभाष घई साहब के निर्देशन में चल रही थी। लॉबी में हो रही 'कुणाल महल' की दिलीप साहब की शूटिंग मैंने भी देखी थी। स्टाफ केफेटेरिया में पद्मिनी कोल्हापूरे के डायलाग-"मक्के की रोटी"की शूटिंग भी मैंने देखी थी। लेकिन ज़्यादातर मैं आफिस से गायब होकर शूटिंग देखने वालों में शामिल नहीं रहता था। एक रोज़ मेनेजमेंट ने पूरे स्टाफ के साथ फिल्म -टीम को चाय पर गार्डेन में आमंत्रित किया था। जेनरल मेनेजर सरदार नृपजीत सिंह चावला साहब ने वरिष्ठ अभिनेता जनाब यूसुफ खान साहब से मेरा परिचय कराते हुये कहा था -" दिलीप साहब मीट आवर सीनियर मोस्ट एम्प्लाई विजय माथुर" । दिलीप साहब ने बड़े ही उत्साह और आत्मीयता के साथ मुझसे हाथ मिलाया था। हमारे दूसरे साथी मुकेश भटनागर का परिचय जी एम साहब ने शम्मी कपूर साहब से करवाया था। ये दोनों महान अभिनेता जी एम साहब के अगल-बगल चल रहे थे। 

(विजय राजबली माथुर)
 

Tuesday, 8 December 2015

Wednesday, 2 December 2015

देवेन वर्मा का पुण्यतिथि पर एक स्मरण --- संजोग वाल्टर


Sanjog Walter
Veteran comedian Deven Verma dies at 78.
23 October 1937-02-Dec.2014: The popular face in Hindi cinema, known for tickling the funny bone of movie lovers during the golden period - Deven Verma - breathed his last this morning in Pune. The 78-year-old actor suffered a cardiac arrest, initial reports suggest.
Reports further suggest that the cremation will take place today at noon, in Yerawada crematorium, Pune. The actor worked with some of the best filmmakers of his time, such as Basu Chatterji, Hrishikesh Mukherjee and the likes.
Deven Verma, known for his comic roles, was married to actor Ashok Kumar's daughter Rupa Ganguly.

हिंदुस्तान,लखनऊ, 03-12-2014, पृष्ठ-14 ::


Monday, 30 November 2015

सुधा मल्होत्रा (1936) --- Shashank Mukut Shekhar




 



#आओयादकरें :

सुधा मल्होत्रा (1936 - present ) :

सुधा मल्होत्रा फ़िल्म संगीत के मैदान की वो खिलाड़ी हैं जिन्होने बहुत ज़्यादा लम्बी पारी तो नहीं खेली, पर अपनी छोटी सी पारी में ही कुछ ऐसे सदाबहार गानें हमें दे दिये हैं ,जिन्हे हम आज भी याद करते हैं, गुनगुनाते हैं, हमारे सुख दुख के साथी बने हुए हैं। यह हमारी बदकिस्मती ही है कि अत्यंत प्रतिभा सम्पन्न होते हुए भी सुधा जी चर्चा में कम ही रही ,प्रसिद्धी इन्हे कम ही मिली, और आज की पीढ़ी के लिए तो इनकी यादें दिन ब दिन धुंधली होती जा रही हैं। पर अपने कुछ चुनिंदा गीतों से अपनी अमिट छाप छोड़ जाने वाली सुधा मल्होत्रा सुधी श्रोताओं के दिलों पर हमेशा राज करती रहेंगी। । सुधा मल्होत्रा ने 'नरसी भगत' में "दर्शन दो घनश्याम", 'दीदी' में "तुम मुझे भूल भी जाओ तो ये हक़ है तुमको", 'काला पानी' में "ना मैं धन चाहूँ", 'बरसात की रात' में "ना तो कारवाँ की तलाश है" और 'प्रेम रोग' में "ये प्यार था कि कुछ और था" जैसे हिट गीत गाए हैं। लेकिन ज़्यादातर उन्हे कम बजट वाली फ़िल्मों में ही गाने के अवसर मिलते रहे। 'अब दिल्ली दूर नहीं' फ़िल्म में बच्चे के किरदार का प्लेबैक करने के बाद तो जैसे वो टाइप कास्ट से हो गईं और बच्चों वाले कई गीत उनसे गवाए गए।
सुधा मल्होत्रा का जन्म नई दिल्ली में 30 नवंबर 1936 में दिल्ली में हुआ था। उनका बचपन कुल तीन शहरों में बीता - लाहौर, भोपाल और फ़िरोज़पुर। आगरा विश्वविद्यालय से स्नातक की उपाधि प्राप्त की और भारतीय शास्त्रीय संगीत में पारदर्शी बनीं उस्ताद अब्दुल रहमान ख़ान और पंडित लक्ष्मण प्रसाद जयपुरवाले जैसे गुरुओं से तालीम हासिल कर। उनकी यह लगन और संगीत के प्रति उनका प्यार उनके गीतों और उनकी गायकी में साफ़ झलकता है। जहाँ तक करियर का सवाल है, सुधा जी ने 6 साल की उम्र से गाना शुरु किया। उनकी प्रतिभा को पूरी दुनिया के सामने लाने का पहला श्रेय जाता है उस ज़माने के मशहूर संगीतकार मास्टर ग़ुलाम हैदर को, जिन्होने सुधा जी को फ़िरोज़पुर में रेड क्रॊस के एक जलसे में गाते हुए सुना था। सुधा जी की शारीरिक सुंदरता और मधुर आवाज़ की वजह से वो ऒल इंडिया रेडियो लाहौर में एक सफ़ल बाल कलाकार बन गईं। और सही मायने में यहीं से शुरु हुआ उनका संगीत सफ़र। उसके बाद उनका आगमन हुआ फ़िल्म संगीत में। इस क्षेत्र में उन्हे पहला ब्रेक दिया अनिल बिस्वास ने। साल था १९५० और फ़िल्म थी 'आरज़ू'। जी हाँ, इसी फ़िल्म में अनिल दा ने तलत महमूद को भी पहला ब्रेक दिया था। इस फ़िल्म में सुधा जी से एक गीत गवाया गया जिसे ख़ूब पसंद किया गया। गाना था "मिला गए नैन"। और दोस्तों, यहीं से शुरुआत हुई सुधा जी के फ़िल्मी गायन की।
सुधा जी उन दुर्लभ पार्श्वगायिकाओं में से हैं ,जिन्होंने अपने खुद का संगीतबद्ध किया हुआ गीत गाया है। सन 1956 की फिल्म "दीदी ' का गीत " तुम मुझे भूल भी जाओ तो ये हक़ है तुमको" को सुधा जी ने न केवल संगीतबद्ध किया ,बल्कि मुकेश के साथ मिलकर गाया भी। कहा जाता है कि जिस दिन यह गीत रिकॉर्ड होना था ,संगीतकार एन दत्ता बीमार पड़ गए। यह सुनकर सुधा जी ने कहा कि वो खुद ये गाना संगीतबद्ध करेंगी और किया भी।

सुधा जी का नाम प्रसिद्ध गीतकार साहिर लुधयानवी के साथ जोड़ा गया और कहा जाता है की साहिर जी उनसे प्रेम करते थे। परन्तु यह प्रेम अधूरा रह गया।
79 वर्षीय सुधाजी इन दिनों मुंबई में अपने परिवार के साथ रह रही है। 4 वर्ष पूर्व उनके पति गिरधर मोटवानी का निधन हो चुका है। 2013 में भारत सरकार ने उन्हें हिंदी फिल्म संगीत में महत्वपूर्ण योगदान के लिए पदमश्री से सम्मानित किया।
"धन्यवाद "
 —साभार :
https://www.facebook.com/photo.php?fbid=623165211120298&set=a.619615448141941.1073741827.100002804754852&type=1

Sunday, 15 November 2015

विद्या सिन्हा : जन्मदिन मुबारक ------ संजोग वाल्टर (Swapnil Sansar )






Swapnil Sansar


Vidya Sinha is an actress who has acted in Bollywood films, most known for Rajnigandha (1974) and Chhoti Si Baat (1975).
Sinha was born in Bombay to Rana Pratap Singh, an Indian film producer, son-in-law of film director Mohan Sinha a.k.a. Sd. Maan Singh, resident of village Jodhawali, Punjab, Undivided India.
She began modelling and acting at the age of 18. She was Miss Bombay and modelled for several brands which led to her discovery by Basu Chatterjee.Her first movie, however, came after marriage - her debut was in Raja Kaka (1974) opposite Kiran Kumar. However, fame came to her through a low-budget, alternative cinema break-away hit Rajnigandha (1974), directed by her mentor Basu Chatterjee. The movie, although having none of the trappings of a typical Bollywood blockbuster, was a major box office success. This was followed by many more small-budget films like Choti Si Baat (1975), and later by more mainstream, bigger budget Bollywood productions like Pati Patni Aur Woh (1977). She is known for her pleasant roles in various movies she acted during her active career life. She did 30 movie roles over a period of 12 years.
By the mid-1980s, this type of role was no longer popular in the Hindi film industry. She wound down her film work and finally called it a day by 1986. After some years in Australia, Vidya returned to India and gradually came back to acting,She returned to films in Salman Khan's Bodyguard in 2011.
Vidya Sinha acted in TV serials like Bahu Rani (2000), Hum Do Hain Na, Bhabhi and Kavyanjali (2004). In 2011 she appeared in the NDTV Imagine serial Haar Jeet. She is currently doing the hit Zee TV show, Qubool Hai.
Vidya Sinha was born on 15 November 1947 in Mumbai. Her father, Rana Pratap Singh, was an Indian film producer, son-in-law of film director Mohan Sinha & his previous name was Sd. Maan Singh, native resident of village Jodhawali, Punjab, undivided India.She married Venkateshwaran Iyer in 1968 and had a daughter, Jhanvi, in 1989. The next few years were spent in taking care of Jhanvi and her ailing husband, who eventually died in 1996. They then moved to Sydney for a few years. She met the elderly Australian doctor Netaji Bhimrao Salunke online in 2001, and married him after a quick courtship and a small temple wedding. They adopted a daughter shortly after.
On 9 January 2009 Vidya filed a complaint with the police accusing Netaji Bhimrao Salunkhe of physical and mental torture.[3] They were divorced soon afterwards, and after a protracted battle she won her case against him for maintenance.

(SANJOG WALTAR)



Monday, 26 October 2015

Anuradha Paudwal ------ Sanjog Walter






Anuradha Paudwal is a popular playback singer in Bollywood.She has sung songs in Hindi, Marathi, Tamil, Oriya, and Nepali.She studied at Xavier's College in Mumbai. She was married to the late Arun Paudwal, who worked with music director S. D. Burman as his assistant. Her singing career started in 1973 with the movie, Abhimaan, (starring Amitabh Bachchan and Jaya Bachchan) in which she sang a Shloka. In the same year she also made her Marathi film debut with "Yashoda" (music by Datta Davjekar). In 1974, she brought out a record of Non-film Marathi songs or "bhav geeten" which became very popular.
In 1976, she got her break as a playback singer in Hindi films with Kalicharan (starring Shatrughan Sinha and Reena Roy). Her first solo was in the movie, Aap Beati, (starring Hema Malini and Shashi Kapoor). Laxmikant-Pyarelal were the music-composer duo for that movie. She also occasionally sang songs for composers Rajesh Roshan (Des Pardes), Jaidev (Dooriyan, Laila Majnu), Kalyanji Anandji (Kalaakar, Vidhaata), and Usha Khanna (Souten, Sajan Bina Suhagan).
Anuradha apparently never received any formal training in classical music, stating in an interview, "I have not received any formal training in classical music. I have tried many times, but it has never worked out. I learnt a little here and a little there, but ultimately, I just practiced for many hours listening to Lataji".
Anuradha gained recognition with her popular numbers for the movie, Hero, for composers Laxmikant-Pyarelal. Her collaboration with Laxmikant-Pyarelal produced more success with songs for Meri Jung ("O Mere Kwabon Ke"), Batwara ("Thaare Vaaste Re Dola-Tu Maaro Kaun Lage"), Nagina and many more.Ram Lakhan saw Laxmikant-Pyarelal giving three major hit songs to Anuradha. Their association ended with Tezaab where she sang two good numbers for them - "Kehdo Ki Tum" and "Hum Tumko Dilbar Kyon Maane".
Following this she collaborated with movie producer, Gulshan Kumar, and began a success streak with the movies, Lal Dupatta Malmal Ka, Tezaab, Aashiqui and Dil Hai Ke Manta Nahin. She along with Gulshan Kumar were instrumental in getting many unknown playback singers to the fore, including Kumar Sanu, Udit Narayan, Abhijeet, Sonu Nigam. New Music directors, including her husband Arun Paudwal, were introduced to the music world. Nadeem-Shravan, Anu Malik, Anand-Milind, Nikhil Vinay and Amar Utpal all collaborated with T-Series (Gulshan Kumar's music label) and started a new era of melody in Bollywood. Most of her duets have been with Udit Narayan, Kumar Sanu, Mohammed Aziz. She sang some songs with Kishore Kumar, Mohammed Rafi and also with her female co-singers; Lata Mangeshkar, Asha Bhosle, Alka Yagnik, Kavita Krishnamurthy and Sadhana Sargam. Her other notable songs were also for the famous duo Shiv-Hari, for the movie "Sahebaan". She has also sung for R.D. Burman in her initial days and actually convinced him to make songs for Gulshan Kumar's label in his last days and the song "Aja Meri Jaan" set to one of the background score of R.D.Burman from Saagar is still popular. She also sang beautiful duets with her co-singers from Tamil Nadu and Kerala, notably S. P. Balasubrahmanyam and K. J. Yesudas.Anuradha has had her share of controversies as well. She was one of the rare singers to bloom during the reign of the Mangeshkar sisters in the Bollywood music industry. She was also under much controversy when she dubbed the songs of Alka Yagnik in the film "Dil". This also caused rifts between Anand-Milind and Alka Yagnik, thereby causing them to not collaborate for 2 years. Later in 1998, Anuradha Paudwal dubbed the songs of Alka Yagnik once again for the film Itihaas, this time under the music direction of Dilip Sen-Sameer Sen. However, Alka Yagnik, protested, to which the music company, T-Series was forced to include both versions of the same song, one in the voice of Alka Yagnik and the other in the voice of Anuradha Paudwal. She further went to dub Lata Mangeshkar's song in "Radha Ka Sangam" citing that her voice suited the heroine better. Anu Malik, a smaller name then, who had composed the soundtrack, protested against this move.
At her peak, Anuradha announced that henceforth she would sing exclusively for "T-Series", and concentrated on devotional songs and "cover-version" albums. T-Series used her attractive and pleasing looks to good effect in numerous Bhajan and promotional videos. She was the first playback singer whose face featured on music covers more than the film's actors. She sang for T-series for some time and then went into a sabbatical. After about five years, she restarted her playback career. She sang a few hit songs for her old music directors but the reception for her comeback was mild.
Although Anuradha has significantly cutback in singing for films, she has continued on with her popularity for singing devotional songs and creating devotional albums, which ultimately remains her forte. She has collaborated with Pandit Jasraj on his "Geet Govind , many devotional albums with Anup Jalota. Her voice is well suited on devotional numbers.Anuradha sang in a number of Marathi movies including the memorable "Disate Majalaa", "Raja Lalakaari", and "Kaalyaa Maatita Maatitaa". Most of these movies had music by the duo of Anil-Arun, Arun being her husband, who collaborated with Anil Mohile to form a pair.
1986: Filmfare Award for Best Female Playback Singer for "Mere Mann Bajaa Mridang" from Utsav.
1990: National Film Award for Best Female Playback Singer for "He Ek Reshami" from Kalat Nakalat
1991: Filmfare Award for Best Female Playback Singer for "Nazar Ke Saamne" from Aashiqui.
1992: Filmfare Award for Best Female Playback Singer for "Dil Hai Ke Manta Nahi" from Dil Hai Ke Manta Nahin.
1993: Filmfare Award for Best Female Playback Singer form "Dhak Dhak Karne Laga" from Beta.
2011: Mother Teresa Award for Lifetime Achievement.